Sunday, October 28, 2012

Yosemite


Research Question: How did Ansel Adams use visual rhetoric in his photography to attract people to Yosemite National Park?

I will focus specifically on Ansel Adam's photography in Yosemite National Park. His photography there has had a widespread impact on the park by drawing visitors to it from all over the world. He did this by taking beautiful photos of the park and using traditional photo editing techniques. His presence was so significant here that there is a gallery dedicated to his work within Yosemite National Park.
Ansel Adams: Yosemite Valley Thunderstorm

Ansel Adams's photographs at Yosemite encompasses a number of design elements that are aesthetically pleasing to a viewer's senses. The two most effective ones are value and arrangement. The contrast in his photography is amplified as a result of all the photos being in black and white and the use of traditional photo editing techniques such as dodging and burning. The natural elements that stand out the most in these photos are the waterfalls and snow. Their radiance comes as close to a true white as they can without leaving out any detail. This heavily contrasts other elements in his photos that are noticeably darker, like the trees and granite rock formations. What completes the synergy between these two is the sky, which is always several variations of grey that compliments the other light and dark elements. Adam's display of value in these natural objects gives the photos a strong sense of depth and texture by bringing out the fine detail in the mountains and giving viewers an awing insight of how massive the park is.

The arrangement of objects in Ansel Adams's photographs of Yosemite also has a significant role in aesthetically appealing to viewers' senses. The bottom part of these photographs usually shows either some sort of water, or wildlife on the ground. The middle part displays large rock formations or mountains and the top always shows the sky. This consistent arrangement showcases three of the natural elements; earth, wind, and water. It shows how naturally beautiful the park is.

Adams's photographs at Yosemite consistently reflect the relationship between man and nature. He often shows the sky in a rather surreal way that evokes a divine feeling. The perspective he took the photos from shows how a human stacks up to the colossal mountains and waterfalls. These elements symbolize how small humans are in the world and that they are at the mercy of mother nature. In contrast, Yosemite was a place where Adams felt at peace and he often symbolized this in his work as well. The calm waters and occasional clear sky show the natural healing powers nature can have on humans.

Missing from every one of Ansel Adams's photos at Yosemite are humans. Humans have been known to destroy nature and at the time, Yosemite was barely touched. Leaving humans out sends a message that nature is beautiful by itself and should be preserved. Those who saw these photographs at the time also felt the same way and it lead to the government regulating humans interfering with Yosemite National Park.

Yosemite


Ansel Adams: Yosemite Valley Thunderstorm
Research Question: How did Ansel Adams use visual rhetoric in his photography to attract people to Yosemite National Park?

I will focus specifically on Ansel Adam's photography in Yosemite National Park. His photography there has had a widespread impact on the park by drawing visitors to it from all over the world. He did this by taking beautiful photos of the park and using traditional photo editing techniques. His presence was so significant here that there is a gallery dedicated to his work within Yosemite National Park.

Ansel Adams: Yosemite Valley Thunderstorm

Ansel Adams's photographs at Yosemite encompasses a number of design elements that are aesthetically pleasing to a viewer's senses. The two most effective ones are value and arrangement. The contrast in his photography is amplified as a result of all the photos being in black and white and the use of traditional photo editing techniques such as dodging and burning. The natural elements that stand out the most in these photos are the waterfalls and snow. Their radiance comes as close to a true white as they can without leaving out any detail. This heavily contrasts other elements in his photos that are noticeably darker, like the trees and granite rock formations. What completes the synergy between these two is the sky, which is always several variations of grey that compliments the other light and dark elements. Adam's display of value in these natural objects gives the photos a strong sense of depth and texture by bringing out the fine detail in the mountains and giving viewers an awing insight of how massive the park is. 

The arrangement of objects in Ansel Adams's photographs of Yosemite also has a significant role in aesthetically appealing to viewers' senses. The bottom part of these photographs usually shows either some sort of water, or wildlife on the ground. The middle part displays large rock formations or mountains and the top always shows the sky. This consistent arrangement showcases three of the natural elements; earth, wind, and water. It shows how naturally beautiful the park is. 

Adams's photographs at Yosemite consistently reflect the relationship between man and nature. He often shows the sky in a rather surreal way that evokes a divine feeling. The perspective he took the photos from shows how a human stacks up to the colossal mountains and waterfalls. These elements symbolize how small humans are in the world and that they are at the mercy of mother nature. In contrast, Yosemite was a place where Adams felt at peace and he often symbolized this in his work as well. The calm waters and occasional clear sky show the natural healing powers nature can have on humans.

Missing from every one of Ansel Adams's photos at Yosemite are humans. Humans have been known to destroy nature and at the time, Yosemite was barely touched. Leaving humans out sends a message that nature is beautiful by itself and should be preserved. Those who saw these photographs at the time also felt the same way and it lead to the government regulating humans interfering with Yosemite National Park. 

Sunday, October 14, 2012

Ansel Adams

Ansel Adams: Clearing Winter Storm (1944)

Ansel Adams (1902-1984) was a well known landscape photographer from California during the mid twentieth century notorious for his photographs of Yellowstone and Yosemite national parks (Peeler, 1998, p. 1030). Adams's photographs have inspired many in such a way that there has been effort to turn his work into landscape ideology (Berman, 1998, p. 115). His photography represents nature in its most natural form and leaves its viewers with a sense of grace.

Though Adams took a plethora of photos from different landscapes around the United States, the ones he took in Yosemite are arguably the most compelling. As a founding member of the Sierra Club, Ansel Adams spent a chunk of his life in Yosemite Valley. Adams described Yosemite as a place where “the clear realities of nature seen with the inner eye of the spirit reveal the ultimate echo of God.” (Stoll, 2008, p. 238). This is where he took photos for Eastman Kodak advertising campaigns, as well as vacation promotions for the park (Hales, 1997, p. 1460). 

One facet of Adams’s photographs at Yosemite that is particularly intriguing is the time period which he took them . Adams’s photo Clearing Winter Storm (1944) was taken towards the end of World War II, a time when propaganda was at an all time high. In contrast, his photography showed the beauty of nature rather than a persuasive display of nationalism. Adams did not partake in World War I or World War II and was not affected by the Great Depression. Because of this, he had a different outlook on life than most people at the time. It allowed him display the United States in a way that was unrepresented, though his photos during this time did not become popular until the 1960’s (Peeler, 1998, p. 1030). 

Despite the recent evolution of digital photography, Adams did not let a film camera hinder his work. Clearing Winter Storm (1944) is a true display of serenity. It shows Yosemite Valley in natural state, as if humans didn’t exist at all. This photo, as well as the majority of Adams’s photos purposely evoke a spiritual feeling as a result of Adams intentionally cropping any man made objects (Peeler, 1998, p. 1031). The contrast of the landscape reveals wildlife extending through miles of an awe-inspiring valley that lies beneath towering granite domes piercing through an almost surreal cloudy sky. It is this detail that inspires the preservation of his photography both physically and emotionally. 

Ansel Adams’s photographs are a gift to the American people that captures pure beauty and encourages its viewers to emancipate themselves from everyday life to seek the same spiritual triumph that Adams sought after. For this reason, his images are still popular today (Peeler, 1998, p. 1032).


References

Peter, Bacon Hales. "Ansel Adams and the American Landscape: A Biography." The Journal of American   History 83.4 (1997): 1460-1. ProQuest Research Library; ProQuest Social Sciences Premium Collection. Web. 14 Oct. 2012.

David, P. Peeler. ""Ansel Adams, a Legacy: Masterworks from the Friends of Photography Collection"." The Journal of American History 85.3 (1998): 1029-33. ProQuest Research Library; ProQuest Social Sciences Premium Collection. Web. 14 Oct. 2012.

Berman, Ronald. "Ansel Adams: California / Photography: An Independent Art." Journal of Aesthetic Education 32.2 (1998): 115-. ProQuest Art, Design and Architecture Collection; ProQuest Social Sciences Premium Collection. Web. 14 Oct. 2012.

Stoll, Mark. "Milton in Yosemite: PARADISE LOST AND THE NATIONAL PARKS IDEA." Environmental History     13.2 (2008): 237-74. ProQuest Research Library. Web. 14 Oct. 2012.